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Not bigger as in taller performers or greater loudness, but bigger as in enhanced data intensity.
I've personally concluded a blind test with three listeners and 20 different copies vs original.Specifically on the ambient Natasha track, subtle phase shift effects implemented to manipulate sounds on the stage became more pronounced.However, I'll try testing this further with really bad copies (read error-free on cd-rom drives, but not necessarily so in normal rack cd players) vs very slightly scratched (as in day-to-day use) original discs vs pristine/superb quality burns.The Grande Passion, telarc 83481, for its hybrid symphonic complexity and soundstaging.
This enhancement of apparent size - less so in the lateral domain, more pronounced in the outer depth dimension - made things sound a little bigger.
The more interesting question is at that point: is the difference still there.
However, that doesn't mean they cannot sound different.
However, on most disc that are good quality burns, a small number of random bit errors are perfectly detectable and correctable by the ECC of the reading drive.
We couldn't detect any statistically significant differences between the copies and the originals.Rest assured we are working diligently to resolve this issue.On all tracks, this altered the semi-spherical shape of the far stage to expand sideways and behind the speaker, quite literally as though additional lights aimed for the far corners had been switched.So, technically there is very little reason to believe that discs that test bit-perfect on a variety of different drives, would sound different.Al Di Meola's ode to the great Astor Piazzolla - very well recorded and hence very dynamic - perhaps benefitted the most, with the volatile interplay between the Toronto Symphony and the soloists more intelligible, occurring on a slightly larger scale, the many protagonists more.Bits are encoded as analog waveforms on the disc (pit/land transitions).Some readers can detect bits accurately with even a higher number of frequency modulation (jitter) on the signal.Something Dangerous, for vocals and ambient trickery Mantra 1035; Tomatito's amazing "La Vacilona" dance with George k9 web protection alert removal Benson on our award-winning.On Tomatito's Flamenco/Smooth Jazz hybrid, a certain edge was buffed out - albeit without the concomitant softening effect the recently reviewed Musicalizer inductors introduced.See any care plans, options and policies that may be associated with this product.