Wurlitzer V is an rtas, VST and AU plug-in that also runs as a stand-alone application.
Every parameter is assignable and, in figure 5, the red controls are those that have been assigned, the purple ones are those that have not.
Wurlitzer 200, Rhodes MK 1, Hammond BV with percussion /Leslie.Just bought a the 65 reissue Fender Twin Reverb, MXR phase 90, Small Stone.Played it for two months and sold it for 600.Clicking on the midi button enabled Learn mode, and I was then able to assign a controller to any desired parameter, with minimum and maximum values (which can be inverted to make controls act in the 'opposite' direction) for each.With no multisamples to create tonal discontinuities up and down the keyboard, and no velocity layers to create tonal discontinuities as I played harder and softer, it responded more naturally than recent sample-based instruments.I connected two controllers to my Mac: a lightweight Arturia Analogue Factory keyboard via USB, and a weighty Korg T1 via a midi/USB converter.
4: The direct option.
Unlike traditional sampling libraries, the Wurlitzer V's embedded physical modelling engine readily reproduces the agreeable acoustic properties of the Wurlitzer EP 200A's musically distinctive reeds, key action, and amplification combo by 'constructing' played notes in real time, creating cost-effective and reliable realism in a computer-based.
Let's get the techie stuff out of the way first.
Ignoring the factory presets, I chose the Default variation, removed all the effects from the Wurlitzer V signal path, set the EQ flat and the other parameters to what seemed sensible values, and selected the DI output setting.
As you can imagine, I was by now becoming rather fond of Wurlitzer.Having set everything up, it was time to play.Omer Dalors: It sounds like nothing but a Wurlitzer.I even launched the AU and VST versions simultaneously within Plogue Bidule while the stand-alone was still running, and then tried to make them fall over.Although the two could sometimes be made to sound similar, the Rhodes' tines had a plummier sound and a longer sustain than the Wurlitzer's reeds and, for many purposes, the Rhodes sat more comfortably in a mix, even when being used for solos.So, many years ago, I bought a lovely Wurli from a ballet studio that was upgrading to one of the earliest digital pianos, and it proved to be everything that I hoped.What's more, there are numerous other ways of obtaining the same sound on stage, from wavetable synthesis to sample-based synthesis and, most recently, physical modelling.The company have built their reputation on developing accurate recreations of synthesizers, often extending their capabilities by a significant degree while attempting to retain the essential character of the original, so the EP200 seems to be perfect fodder for its developers.There's a place for super-duper whizz-bang synths and software packages that do a gazillion things, but I like indeed, I often prefer products that do one thing and do it very well, battlefield 3 patch 1.06 pc and Wurlitzer V falls slap-bang nikon capture nx2 windows 7 64 bit into the middle of this category.As most producers are already guitar pro 7 full version aware, the beloved bright and overdriven 'Wurly' sound so musically ingrained in popular music culture -thanks to artists as diverse as The Beatles, Supertramp, and Marvin Gaye -is actually a clever combination of admirable amplification -Fender Bassman and Twin Reverb.